Friday, April 3, 2015

fast fashion

Das Museum für Kunst und Gewerbe Hamburg (MG&K in Hamburg Germany) has staged an extremely well thought, well documented, well explained exhibition portraying the horrors perpetrated by fast fashion (in case one is not a devoté this includes Zara, H & M, Target, among other purveyors of clothing that is designed to last no more than one season). The environmental and personal costs of producing fast fashion are myriad, from disappearing lakes where water is diverted to cotton production to women (often considered sexual prey by management) who must work long hours without benefit of unions, a living wage, or child care. see: fast fashion exhibition 

The exhibition design reflects the issues, bales of used clothing for couches--much of fast fashion is destined for landfill, although some is recycled. The greater issue is that the despoiled environment stemming from textile and clothing production negatively impacts our climate, air quality, and human lives devastated by harsh working conditions, few health or safety regulations, and lack of physical and intellectual freedoms.

Thursday, January 22, 2015

riga unaravelled

Winter setting in on the Baltic is cozy, damp cold ameliorated by the innumerable cafes and new boutiques dedicated to consumption with a lighter carbon footprint have opened.  We flew into Riga from Hamburg to work with the stylist Deniss Schevelove who had just spent an enormous amount of time working with designers during Riga's Fashion Week, which regretfully we missed. Riga is incredibly modern and new construction abounds. ecomodista fears the fate of some of the wooden buildings at the edge of the Art Nouveau district, which we trawled when not working on knit wear. Initially we stayed at the Albert Hotel, and yes, it is dedicated to Albert Einstein, with clever allusions sprinkled throughout the building, including a clock for relative time. see:

The Albert has become a techie hub, just around the corner are corporate offices of groups such as an uncensored forum for teens and recently sold to and Tinderbox owners.
Dress ELETTO, sunglasses by FENDI, shoes Lella Baldi  makeup Jekaterina Hlopova, hair Oksana Kirilenko

After considering several art nouveau buildings for the shoot, we decided that the Garden Palace Hotel would be divine. Built by a shipping magnate in the 18th century, it was empty and in disrepair after Latvia regained it's independence achieved after the Berlin Wall brought a crashing end to the Soviet regime. The current owner ultimately restored the building painfully dissecting layers and layers  of paint, to find the original colors, matching marbles and woods. Hotel Garden Palace is furnished with French antiques and Persian rugs, the bar embellished with art deco furnishings. The  incredibly lavish suites and hotel rooms and comfortable guest spaces exemplify a unique contribution to historic preservation.see:

Deniss Schevelove, stylist, adjusts the model's shoes, photo credit Wayne Decker

 Knit coat TDaniell, dress ELETTO, model, Anelija-Niko, makeup Jekaterina Hlopova, hair Oksana Kirilenko

Latvian knitwear company, ELETTO,, first appeared in Riga Fashion Week in autumn 2011. ELETTO produces beautifully designed garments using natural materials - cashmere, cashmere with silk, alpaca, among other fibers.

Sweater Gareth Pugh, model Ekaterina Stafetskis, makeup Jekaterina Hlopova, hair Oksana Kirilenko

Thursday, October 9, 2014

transparent fashion

ecomodista considered angora a viable incredibly cozy fiber--until Liz Smith of the Daily Mail (I know I know I'm a Guardian girl) revealed the horrors of angora production. Ever since meeting and photographing Kristen Olsson's work (she was also THE model for Bohus knitwear) angora has seemed alluring. It has a loft that retains body heat quite effectively, absorbs dyes exceptionally well, and such tiny creatures may be raised on farms or crofts. Naturally, the National Angora Rabbit Breeders provides information on harvesting this fur without pain or angst for the rabbit, but large breeders seem less than concerned with animal rights. Of course being a shorn sheep isn't much fun either. 

One woman, Isobel Davies, is crusading for transparency of the fashion industry's fiber acquisition. In an interview with an editor at Womanology, Davies discussed how she founded Izzy Lane, after being a successful musician and the originator of farm to fork food networking. "Through Farmaround, I became immersed in the ethos of organic agriculture and in particular to preserve wildlife habitats. Whilst visiting organic farms I became aware that farmers were burning their wool in protest at the low prices they were being paid. What they received didn’t even cover the shearing costs. This horrified me since I had always loved wool as a fibre." As she researched this issue she "also discovered that there was no traceability whatsoever of animal fibre for [clothing]. Everyone wanted to know where the meat on their plate was from and how the animal had lived and died, but the same questions were not asked of wool or leather, yet the origin is the same." 

Izzy Lane's A/W 2012/2013 collection promotes ethical luxury by promoting animal welfare.

500 rare breed sheep which have been rescued from slaughter provide the wool used in Izzy Lane's collections. Their flock of Wensleydale and Shetland sheep is comprised of animals that would have been sent to slaughter for being too male, missing a pregnancy, being lame, too small, too old or other imperfections--white fleece marred by a black spot. Now these protected sheep live at Izzy Lane's  sanctuary in North Yorkshire while their wool is used in knitwear and wovens.

Sunday, April 6, 2014

nothing is ever black or white

Enlightened by perusing London Fashion Week's A/W 2014 collections, yes yes, I have been incommunicado for a while, executing a five year plan, ecomodista perceived a trend, moving somewhat away from knitwear, and that which was displayed was long and decidedly chunky. 

Mark Fast known for spidery sexy knitwear is an avowed proponent of industrial mechanization, versus hand knitting. His catwalk presentation was populated by larger bulkier knits unlike past work, which fashion editors seemed intent on featuring a look that could vaguely be referred to as--dare one even breathe the word--a bathrobe? Although everyone coveted the sneakers/trainers/creepers, and everyone believes in his enormous talent, it may be difficult to introduce this trend. The majority of his work is eminently wearable, and certainly will offer inspiration to designers.

In New York Rodarte once again demonstrated a sophisticated handmade aesthetic. Laura and Kate Mulleavy's peplum tanks w/spaced dyed fiber in muted greens, browns, neutrals morphed into sleeves at one point and other sections of a garment. Intelligent and thoughtful, Rodarte created a magical winter scenario replete with glitter and lace.

Rodarte A/W 2014

Sunday, December 1, 2013

Amended import quotas in 2005 allowed China to export massive quantities of cashmere, encouraging High Street stores to produce affordable cashmere garments. Woefully constructed of fibers rejected by the likes of Johnstons of Elgin, these cashmere products are just as ephemeral as other clothing manufactured for the moment. 

As fashion becomes ruled by short term seasons (think Best Dressed Lists updated daily, "look de la semana" and it's only a matter of time before updates occur hourly, by the minute etc.) it poses a dilemma for the eco conscious consumer. Developing a personal sense of style and hand knitting continue to offer an alternative.
Jaggy Nettle scarf & Harris tweed jacket; scarf is printed not intarsia photo: Ruth Cameron

Scottish fashion and cashmere is a large component of of the Scottish textile economy, employing 22,000 workers, primarily concentrated in the Scottish Borders region. Johnstons of Elgin has a mill in Hawick, the epicenter of knitwear and industry in the Borders which employes approximately 4,000 individuals. As Scotland relies on the export of fashion and luxury cashmere, creative alternatives to purchasing the raw material from free range sources are being explored. It's been estimated that if all British based brands produced 10% of their production in the UK, it could contribute to creating sustainable manufacturing base. Jenny Lister, V & A fashion curator has pointed out that,"Scottish fashion is so interesting because of the dichotomy between rural crafts and edgy contemporary fashion. Lister cites DC Dalgliesh, as a company that has combined traditional techniques with current technology. Founded in the late 1940's because Dixon Colton Dalgliesh was unable to find the quality of traditional tartan fabric, the company has created a niche, noted for tartans for kilts that are worn by Queen Elizabeth among others. To continue evolving various cashmere companies are working with designers, for example the London design team, Clements Ribeiro has been working with Barrie.
Jaggy Nettle skirt/leggings?

Jaggy Nettle, an upstart in the world of fashion, has created innovative techniques such as printing directly on cashmere at their facility in Hawick. The process is described on their blog, "Our method of printing cashmere is unique to us and something which we have developed over the last 15 years.  Its an unforgiving task with absolutely no margin for error, from the development of recipes, steam times, pulls, washing, weighing, screen prep....the list goes on...  Our print is indiscernible in touch to the rest of the garment and becomes integral to the knit as opposed to prints which lie on the surface of fabric.  Many people assume on first look that the decorative adornments are intarsia - a method of knitting designs into garments - and are often visibly shaken when they are told "get your hands of my printed cashmere".  Its a beautiful thing, a rare, difficult and rather expensive thing to achieve with absolutely minimal room for error and that is why we love it.  "

Discovered this Brazian design team, love their garments and the photographs!
Brazilian designers Graziella Cavalcanti and Julia Guglielmetti working with photographer Aaron Kawai

Photography: Aaron Kawai
Styling: Mariana Queiroz
Make Up: Bel Lüscher
Model: Jordana Zimmermann (VZM)

Friday, November 8, 2013

of course we do LOVE cashmere...

There is more to cashmere than a pashmina shawl, originally woven by goat herders during the long frigid winters. While the superabundance of cashmere fiber fomented design advances, it has been the diffusion of the fiber in High Street clothing that has had the greatest impact. Of course ecomodista endorses open access to fashion, however it is the disposable quality of big box clothing that has overwhelmed our environmental resources. 

Sadly nomadic herders may be affected if the cashmere market shrinks, and numerous workers, designers and fabricators in Scotland rely the cashmere industry. Scotland's historical and cultural heritage is interwoven with cashmere, beginning with their late 18th century goal to replicate the fineness of cashmere fiber spun in France. 
not cashmere, design Sibling, S/S 2013, fiber, wool. Sibling was selected as Woolmark finalists this year photo credit: Gareth Cattermole/Getty Images Europe 

For hand knitters, modern or traditional working with Scottish cashmere yarns surely  transcends any other experience. Driving the knitting revival is the wide availability of these yarns and Scottish designers who feature cashmere knits in their collections. Learning to knit as a child, designer Clare Waight-Keller has always worked with knitwear and her goal for Pringle is, “To embrace the traditional artisan practice of craftsmanship and quality and re-interpret classic knitwear proportions and scale for today.” 

Designer, Stephanie Laird’s cashmere knitwear for Hillary Rohde embodies superlative quality in design and hand knit fabrication. In India and Pakistan, scientists devote countless hours to ameliorate global climate change, especially after the loss of approximately 25,000 Pashmina goats during a winter storm on the Cangthang plateau due to snow and ice covering their fodder. Their successful research resulted in a clone of the Pasmina goat, Noori. No doubt the fiber from this clone will be termed Noori. Now how environmentally friendly is that?

 Cristopher Kane A/W 2011 collection w/Johnston's one of Scotland's preëminant cashmere manufacturers

Tuesday, September 24, 2013

massimo nicosia & pringle s/s2014

Replacing Clare Waight Keller, former designer at Pringle of Scotland is a difficult agenda. Massimo Nicosia has made a credible stab at it. Of course knitwear and Pringle are virtually synonymous so naturally it is a major feature of Nicosia's S/S 2014 collection. His designs are a subtle hommage to the company's history. Fashion reporter Afsun Qureshi quotes Nicosia, "I feel I am as much an archivist of Pringle as designer. I have to preserve the past. But also I have to move forward by developing fabric technology, and create something very light out of something quite heavy. I have to create structure out of knit that is known for its very lack of structure."